Photography and the magazine in india

With periodicals like Viewfinder, produced by the Federation of Indian Photography (1944 onwards), on the one hand, and the Kodak Indian Magazine published by Kodak Limited exclusively for India (launched during 1940s), on the other, we encounter various aesthetic trajectories and a diverse yet motivated reading public for photography flourishing in the post-Independence period. The project further explores relationships between print culture and its intersections with design, cinema and advertising, and hence, traces the legacy of these unique publications. 

This new research initiative by Sukanya Baskar for the Alkazi Foundation aims to understand the relationship between photography and print media, particularly magazines and periodicals starting in the 1950s. It is directed towards unearthing alternative spaces of collaboration, discourse, and exhibition in print culture following Independence.

Camera in the Tropics covers. March 1941 and February 1941. Courtesy George Eastman Museum.

PHOTOGRAPHY MAGAZINES /
PHOTOGRAPHY WORLDS

SCIENTIFIC WORLDS: PHOTOGRAPHIC SOCIETY JOURNALS

CAMERA IN THE TROPICS
A CINE AND STILL PHOTO JOURNAL
TAKING IT INTERNATIONAL

MAGAZINES AND SOCIAL NETWORKS

THE INDIAN AMATEUR’S PHOTOGRAPHIC ALBUM


PHOTOGRAPHY AND THE ILLUSTRATED MAGAZINE

CARAVAN

ILLUSTRATED WEEKLY OF INDIA
WOMEN AMATEUR PHOTOGRAPHERS

INDIAN PICTORIAL EDUCATION


BRUSHES WITH THE INDUSTRY

KODAK INDIAN MAGAZINE
MAGAZINES AS MARKETING

AGFA PHOTO GALLERY


INTERVIEWS

RANU ROYCHOUDHURI


APPROACH AND FRAMING

NOTE FROM THE RESEARCHER

Brief Note on Sukanya Baskar
Sukanya Baskar is a curator, writer and researcher. Her work has developed closely alongside archives, with a focus on photography and moving image. Previously, she was working with PIX magazine as a researcher and design consultant. As a part of her graduation project she worked on the photobook, ‘Witness: Kashmir 1986–2016 / Nine Photographers’ (Yaarbal Books, 2017) edited by Sanjay Kak, featured on the New York Times’ list of Best of photobooks of 2017. She is a graduate from the National Institute of Design, Ahmedabad and the Center for Curatorial Studies, (CCS) at Bard College, New York.

 

 

 

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