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Our History

The Alkazi Foundation for the Arts (AFA) is a Registered Charitable Trust in New Delhi (India), dedicated to the preservation and study of the cultural history of India. Ebrahim Alkazi, the Foundation’s Chairman and Director, has amassed a private collection of 19th- century photographs, the Alkazi Collection of Photography (ACP) as well as materials relating to post-Independence theatre in India , the Alkazi Theatre Archives (ATA). Both the collections are housed at the AFA, which carries out research on these extensive holdings in preparation for a continuing series of scholarly publications and exhibitions.

The Chairman

Mr.-Alkazi

Ebrahim Alkazi (b. 1925) is primarily known as one of the country’s leading post- Independence theatre directors and a patron of the arts. A theatre director of profound insight and fastidious taste – shown to full advantage during his years in Mumbai with the Theatre Unit from 1950-1962 – Alkazi, as head of the National School of Drama & Asian Theatre Institute from 1962-1977, built it up into a truly national institution with a breadth of outlook that embraced the classical Sanskrit drama, traditional and folk forms, contemporary Indian drama in the regional languages, and Western drama from the Greeks to the present day. He introduced cutting-edge training methods, academic rigour, technical discipline and international standards in an attempt to professionalize the already-vibrant Indian theatrical scene.

The NSD’s Repertory Company, founded by Alkazi, took these plays to the far corners of the country, building up a new awareness, taste and sense of artistic responsibility in the theatre profession and with the public at large. Equally formidable has been Alkazi’s contribution to the appreciation and encouragement of contemporary Indian art. His monumental series of 13 exhibitions in Mumbai in the 1950s, titled This is Modern Art, opened up a new world of awareness and understanding for the serious student of art and the layman.

After 1977 he was less engaged in the theatre. He became a determined promoter and patron of related aesthetic endeavours, especially in visual arts. As Director of the Art Heritage Gallery in New Delhi, Alkazi was among the first promoters of modern artists such as Maqbool Fida Husain, Tyeb Mehta and Akbar Padamsee. Alkazi, a great collector, is also an integrator, striving to connect the world of aesthetics and education, along with the visual, documentary and performance arts.

He has received several awards, including the Sangeet Natak Akademi Award for Direction (1962) and three Padma awards: the Padma Shri (1966), for distinguished service; the Padma Bhushan (1991), for distinguished service of high order; and the Padma Vibhushan (2010), for exceptional and distinguished service and his contribution to the Indian arts.

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The AFA is located in Greater Kailash-II, New Delhi. Built on three levels, the Foundation is dedicated to the preservation of its vast collection of photographic prints in order to serve the purpose of scholarship and research.

archiving-and-storageArchive

The process of archiving the ACP was initiated in 1995. The Foundation lays a strong emphasis on the proper preservation and archiving of its material, keeping in mind the historical importance and potential future value of the documents.

The Alkazi Theatre Archives was initiated in 2016 and houses a rich amalgamation of primarily materials on theatre and its shared historical timeline. While The Alkazi Theatre Archives contain materials from post-Independence, modern theatre in India, it believes that the dialogue with contemporary practices allows for a telescopic view of how historical contexts and the legacies of theatre practices have informed different theatre content and form, allowing us to trace historical chronologies, ideologies, methods, processes as a map that is complex, networked, and hypertextual. The theatre archive has been engaged in a rigorous process of archiving and preservation of its vast collection, contextualizing the materials at par with its historical context and its future significance.

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Each floor is equipped with a reading room that enables scholars to carry out their research in quietude. The Foundation has a vast collection of books that include several old and rare publications. All aspects of Indian history, including the history of photography are covered in the library.

The Foundation is equipped with wireless Internet access that allows visiting scholars with laptop computers to access the net with relative ease.